Відео

He is such a save and very techincal singers. U will know it easly buy seeing how he intentonally modified the vowels once he entered G#4. The only of very very view tenor in pop music who can belt Bb4-B4 with opened optimum sound. Much higher tessitura than average tenor too. That chesty *overdrive* C#5 explained it. Overall definetly one of the best male vocalist in 22 century.

Rewatching superfruit clips for the nth time. I just realized Scott spoiled "Midnight in Tokyo" at 4:29 three years before its release date !!

Can you do a vocal range video for Scott? His range has expanded so much recently and it would be interesting to see

Mitch Grassi is not a tenor 😭💔 this is unfair... he is a whole male soprano 😂 that B4 is literally in his mid-range (possibly even in his lower middle) whereas for tenors its at the top of their chest range

Great video. I don't know anything about music so I can't speak to the accuracy of the vocal range but one thing I love about Mitch's singing style is his enunciation. Mitch closes his consonants and even when singing high, you can hear every word finished. I appreciate that and it is one of the reasons that while I like Scott's voice, I don't care for his slurring of words. I know it works for some songs but I prefer someone who can be understood. Mitch does it with ease.

6:25 HOLD ON A MINUTE! That's Scott!?!?!? I- now that I know it I can hear Mitch in the background of the studio version. Omg.... I always thought that was Mitch. What!? (why can he reach that high!? Why do they all have so impressive ranges!?!?!?)

My favorites: • "Hit Me" • "This Christmas" • "Why Don't you love me" • "Summertime" • "Water Runs Dry" • "God Is Able" • "Lullaby Of Broadway" • "Mamma Knows Best" • "I Will Always Love You" • "Disaster" Honorable Mentions: • Ain't No Other Man

I miss her show on UA-cam and I'm always impressed by her ease with riffs! Break Down The Riffs needs to come back!

I believe Harry is a High Baritone/Low Tenor/Baritenor!!!

the frozen song at the end💀☠

7:42 that sounds a lot like mixed voice to me! And so easy! 8:06 this too!

Hes a Tenor-Alto because hes real range Is C3-E5 Low chest C3-B3 High mixed Chest C4-C5 FALSETTO G#4-E5

I love mitch's voice

Jamie Miller vocal range video?

David Phelps is so good

They popped off on the vocals here 😭

Kevin and Scott having G#5 wow 😭. And Kevin got C5 too.

Matts G1 was chest voice?? 👀

SCOTT BELTING A4s AND B4s 😭

Wow Matt with the high notes 😭😭

one of the greatest singers alive

the first video on here is mine....

Great song and lyrics. This song offers support to someone who is going through a difficult moment. The songs has a lot of compassion as well as some harsh love ("No one can change your life except for you") and ("Things'll go your way if you hold on for one more day").

Thank you for taking the time. I always enjoy these so much. Will you be doing a lip sync check video for their 2023 Christmas tour?

He hit G# in Dance of the Sugar Plum Fairy. m.ua-cam.com/video/jt3oAyK_IG8/v-deo.html

nice compilation! and thanks so much for linking the sources!

I think it would be nice if we could just enjoy their talents, and not a lot of guessing.

I’m a male I could do that 😂

But alot of mix dosnt mix its chest

Just saw them last night. The female singer froze and stopped singing at one point and her solo continued. Was surprised to realize they were lip syncing.

Idk if you’ll see this, but I appreciate you making these videos, they seem like they take a lot of work!

I am 100% convinced that Kirstie isn't the same person and they have 6 different people swap her out and that's why she changes her look so often

No disprespect to all the other singers but my only competition here is Mitch.

Glad u added the bonus track also!

As you are one of the few people doing vocal range videos, especially for Pentatonix, I've got some questions for you: 1. Do you think they will still focus on Christmas music in the next few years? Do you think that's a good or bad thing? For me, it's been a bit tiring having them focus on it so much lately, but I understand it's because of their label. 2. What do you think of Pentatonix use instruments more regularly, like in The Masked Singer arrangements of theirs? 3. Do you think it'd be possible to use AI in its current ability to "isolate" their vocals in the Christmas Around the World album to analyze their voices/notewatch? 4. On Pure Imagination/Christmas Time Is Here, during Kirstin solo at 1:31 in the song, there have some high "oohs", which I can't identify if they're Mitch's or Kevin's. Any idea? 5. Do you plan on doing a vocal range video for Citizen Queen's CLIQUE EP? I know you did vocal range videos for Kaedi, Nina and Hannah in the past, and I was wondering if it's something you'd be interested in expanding. Not sure if the explicit language they use in most of their songs would be suitable for here, but that's on you. 6. What's your favorite Pentatonix song that has never been performed live? 7. Which other artists/acapella groups do you like? I think that's all the questions for now. I really like your videos! Been here for no one knows how long, probably over 3 years, decided to comment something for once lol

Amazing voice

Sorry for not seeing this sooner. Thank you for you re-listening. My personal favorite is their Pure Imagination cover.

Is this the difference between head mix and chest mix?

Actually some of the notes they claimed were head were still mixey kinda

I don’t have an ear for what you’ve done here. But I really appreciate all your work, it’s very informative.

Thanks for the video Pamela! And for sharing your thoughts on the abum as a whole. Wow, I did not realize that was Kevin with the G#5 on Kiss from a Rose. I am enjoying the maturity and complexity of the new songs on the album. It's interesting to listen to their first cover of O Holy Night (from 2014 I think?) and compare it to this one. They just continue to get better. I am seeing them in Baltimore this December with my 10 year old niece, we're both very excited! We loved the holiday concert last year.

Wow that was a ton of work. Thanks for sharing! Thoroughly enjoyed!

great work!!😆

They all improved vocally so much recently, and it rly shows on this album. Scott’s getting so adventurous with his belts its so insane

also i’m pr sure mitch gets down to E♭3 during his solo in the bridge of kiss from a rose

I look forward to these videos every year! Thanks for making them. :) Where does this album rank for you in terms of arrangements compared to their other albums?

this video must've took some definite replaying of the tracks to make lol even with all my years of analyzing them, their newer originals can be so dense and hard to discern, nice job! my thoughts: (i only really keep up with the trio's vocals so) (sorry if this is long lol) -scott is so fckng versatile and it never ceases to amaze me, and being a baritone doing it at that! so glad he undertook a bass part again, 4:09 that F♯2 was effortless, people forget how expansive his lows are (did you hear the B1 he did in one of his looping instagram videos ? sooo expansive). the sustained G4 at 4:58 was delicious and the B4s with rasp as well, i'm wondering when they recorded this album bc a lot of his vocals on his EP were very raspy but a lot of notes here were pretty clean (so i'm guessing an artistic choice!). those trills and runs in high falsetto are always to die for lol he has such a sexy and heroic voice. truly one of thre best males in pop. -i wish mitch delved into his lower register in ptx more but he really has been utilizing it (a lot more than i expected and at the expense of his vocal acrobatics, probably focused on tonality/sonic artistry in those songs versus showing off) in his messer track's so i'm not too fussed, his mix is lovely as always (i mean cmon G4 at 7:08 and the B4 at 8:18 are gorgeous) and ofc that famed upper register is flexible, i do wonder if he's really incapable of vocalizing properly in the 6th octave, but judging from his messer tracks his voice isn't really astronomically high set as ppl may think, he's a master at tone variation and has a really malleable voice. -kirstin my queeeen, i also wish she went lower in ptx tracks on average but in her case it is probably merely just bc of how they arrange (singing the soprano/top layer), the G3-E3 area of her voice is so warm and isn't filled with air like lots of sopranos (even her sustained G3 in the 2014 arrangement of o holy night was warm and womanly!). those mid belts are alwayssss to die for (D5s in o holy night and E♭5s in please santa please oh she better fckng singgg!) and i love in general how her voice is like a mix of broadway meets pop/r&b diva. loving the usage of the upper belts as well, & the B♭5 adlib really surprised me! i cannot waittt till she fully embraces her upper register and really shows off with it in studio (seasons of love was just a taste), she is so modest with it even while having full access to whistle register (and isn't even disconnected) lol, she is so underrated as a female vocalist and im very happy they chose her solo as the single. that's all haha would love to hear more of your thoughts as well

as always i recommend reading the description become commenting anything ;) god this album left me sooo drained. there are a lot of things happening in the background of "kiss from a rose" that are practically impossible to tell. there's a possibility mitch hits a C5 at the end of it but who knows honestly. please santa please was also a strange case with matt. i've let the G1 and not the F1 later in that phrase because i can hear matt's voice in the line with the G1, not so much the F1. there's also a possibility that both the G1 and F1 are voice manipulation or part of the backing track. there are more cases like that across all songs but these are the ones that stand out to me. as always, let me know if you find anything else :)

I lost my shit over this. Holy fuck she's amazing

Can you do one on Kaylah and Hannah?